![]() ![]() Images from the Netherlands Institute of History archive will prove insight to the extent of the role of eroticism in Dutch Mannerism. See the complete profile on LinkedIn and discover Gary’s. This dissertation draws on a contextual and object-based approach in which primary published educational books, farces and songbooks from the Dutch seventeenth century as well as more recent secondary sources are used to construct an argument. View Gary Schwartz’s profile on LinkedIn, the world’s largest professional community. De Grote Rembrandt, door Gary Schwartz, boek. The role of eroticism in biblical and religious subjects has not been analysed extensively, this dissertation aims to enrich existing research. In Dutch: published as De stillevens van Adriaen Coorte (werkzaam c. Subsequently the role of these images in the oeuvre of these artists and in society will be revealed. Gary Schwartz, independent, founding director emeritus of CODART, author and guest curator of exhib. Finally, chapter three deals with the salacious images with a biblical or religious subject. No Dutch notary of the seventeenth century hesitated in identifying the subject of a painting with this motif as the baptism by Philip of an Ethiopian official. Chapter two looks at eroticism in works with a mythological subject. The adoption and development of this phenomenon is examined in chapter one. It will focus on the paintings, engravings and drawings between 15 from the artists working in Haarlem and Utrecht. View Gary Schwartz’s profile on LinkedIn, the world’s largest professional community. There are 200+ professionals named 'Gary Schwartz', who use LinkedIn to exchange information, ideas, and opportunities. This dissertation will consider the role of eroticism in the art of the Dutch Mannerists of the late sixteenth and early seventeenth century. View the profiles of professionals named 'Gary Schwartz' on LinkedIn. The authors usually attributed a moralising meaning to them so as to ‘justify’ their appearance. However, in their time these representations of nudity and salacious images and the subjects they implied were often cited in contemporary writings, songbooks and farces. Before the turn of the twenty-first century, the role of eroticism in Dutch art and the purpose of its images has largely being neglected. ![]()
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